Playing with Power

11 07 2010

Your pain is the breaking of the shell that encloses your understanding.

-Kahlil Gibran

We are not depressed; we’re on strike. For those who refuse to manage themselves, “depression” is not a state but a passage, a bowing out, a sidestep towards a political disaffiliation. From then on medication and the police are the only possible forms of conciliation. This is why the present society doesn’t hesitate to impose Ritalin on its over-active children, or to strap people into life-long dependence on pharmaceuticals, and why it claims to be able to detect “behavioural disorders” at age three. Because everywhere the hypothesis of the self is beginning to crack.

- The Invisible Committee

GMT

Prison

Exploration is the only medication my body subscribes to. My trembling fingertips reach for the sewer keys on my way out the door and my bowels twist in satisfaction. This addiction began as research, then I went native, then I lost my way. My love for ruins, my love for old stuff, slipped quietly into the present without even a little wink to let me know what was happening. A life spent looking for material traces of the past morphed into a series of events connected only by my churning belly that vaguely resembles art or a job in construction.

Please don’t expect me to say I found my way again because I didn’t. I was at Tate Britain the other day listening to Joseph Heathcott talk about digging through a photo archive. He said that as he dug, he became more and more confused, buried in images that he didn’t know how to contextualize. When he reached the bottom of the box of images, all he could see was himself.

We explore not to find places but to find meaning. Place hacking is only partly about architecture, history, dereliction or photography. It is about reminding ourselves what in life is worth experiencing. Our explorations embody a consistency between action and thought where what we dream becomes real. The addiction that comes along with that is the point at which your synapses start firing in new directions, making connections you didn’t know existed or that you lost somewhere along the way. It’s the point at which you realize you never want to work again, the instant at which you understand you never want to own a home, the moment when the revelation occurs that the terrorist threat is as non-existent now as it was in 1972 and 1023 and that most of the world, despite what the media would have you believe, is full of love and attachment, not hate and fear.

Thinking of you

I have lost my way. I hardly know the (a?) government exists. I have forgotten about commitments. I have widened my focus to the point that I can barely see anything not in front of me and yet eschew almost nothing, an optic of total stimulation. I spend all day with my friends. I am in love with every moment. I know my neighbourhood, my city, inside out. I just described childhood.

We have built up a shell around ourselves to defend our bodies and minds from the barrage of victimisations they are subjected to. We are left staring stupidly at what it is we are being asked to do, wondering again and again “is this it?” Joshua Ferris, in his novel And Then We Came to the End sums it up in this tidy moment seen through the eyes of Carl, a copywriter for an ad agency: “Directly to his right, something curious was going on. Two men in tan uniforms were hosing down the alleyway – a small dead-end loading dock between our building and the one next to it. Carl watched them at their work. White water shot from their hoses. They moved the spray around the asphalt. The pressure looked mighty, for the men gripped their slender black guns, the kind seen at a manual car wash, with both hands. They lifted the guns up and sprayed the dumpster and the brick walls as well. They spot cleaned, they moved refuse around with the stream. For all inert purposes, they were cleaning an alleyway. An alleyway! Cleaning it! Carl was mesmerized….good god, was work so meaningless? Was life so meaningless?”

We have become desensitized to the everyday. We have become part of the spectacle, ignoring emotional engagement with the world because we are so alienated by it. We formulate emotional shells that lock out beauty as well as pain and stop us from taking action. We are left in a state of perpetual isolation, mouths open, ready to pour in pills to fix what we lost. We are left inert, flaccid, empty. As Raoul Vaneigem once said, “people who talk about revolution and class struggle without referring explicitly to everyday life, without understanding what is subversive about love and what is positive in the refusal of constraints, such people have a corpse in their mouth.” Raoul’s thesis is outlined succinctly in the following diagram.

I suggest a different sort of medication to cure that corpse-filled mouth. Explore everything, shatter the shell and live free.

Dreamers

get vertical

playfully

Move beyond your conceptions of exploration. Explore your mind, explore the dance floor, explore your broken family that your are ignoring while you read this drivel. Move into abandoned buildings, take locks off of doors, turn CCTV camera so they only see each other, light off fireworks randomly. Scream at people in the streets, talk to strangers, photograph police. Stop paying the state until they give something back other than the promise of a good pension if you join the military and avoid dying through war X. Take what’s in front of you and pour your heart into it. And if you have to quit your job to make that happen, then go. But do it in style – run out screaming into the sky to invoke your freedom. Even better, abseil out of your window and rappel to freedom.

Play is power. Freedom is power.

Photo by Marc Explo

We don't need 4th of July of 5th of November as an excuse to explode things in celebration (Marc Explo).

Our work ethic

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Cavendish Crematorium

16 06 2010

The Silken Hotel wasn’t open yet. We were standing there at the hoarding, Silent Motion and I, with that jelly of a man in his yellow vest pointing his finger accusingly, shaking with rage in a kind of mild convulsion, the orbed camera behind him spinning around and zooming in on our faces, like an eyeball rolling back in a head, making the convulsion a complete yet disembodied visceral experience for this lamentably flabby being.

The sergeant arrived, blue lights painting the walls, tires screeching. He almost rolled out of his car “UrbEx huh? Yeah, we get your kind around here sometimes. Tell you what, see that boarded up building across the street there? Let’s see if you can get into that one!” We meekly accepted the challenge as they frantically tried to fix the zip ties on the Heras fencing we had snapped off in our aborted miniature vertical scramble.

Challenge Issued

Across the street, we found that this building, Cavendish House it was called, was boarded up exceptionally well, stone gargoyles on patrol in moody up-lighting, three stone Furies screaming insults at us as we hung from ledges over the road, tugging on widows.

Stoney stares

Furies

With a pop, a seal on one gave and Silent Motion swung it parallel to the floor. We dove through headfirst and when the window closed with a sharp bang, we were surrounded by silence. I crawled to the dirty pane on the other side of the room and peeked across the road. The sergeant was there, his belly still threatening to rip his utility vest in two. He was smiling, staring at the building and smiling. Creepy fuck.

Popped

Marauder

The exploration proceeded as we opened doors and windows for the next team of rogue adventurers, torches moving around like little bugs on walls looking for a hole to hide in. Silent motion found a generator running and hooked up to a small TV. He powered it up and we spent an hour watching an old Bollywood classic, a brief respite from the endless stairs. Room after room of blue and orange light comforted us behind the boarded up first floor. Unlikely to see, impossible to catch, invincibility ensued. Down or up? Up.

Dance music invoked

Creepy

The top of the first building (indeed we now realized there were three of these concrete monoliths, these plywooded Thatcherite government lumps of cement) had a roof that sat level with some office blocks. I peeked in the clean windows across, imaging the illicit affairs in office chairs that took place during our work hours, suits humping secretaries and capitalism. A blue church to our left looked like a plastic Disneyland air-filled jump house, replete with nostalgia for the abbey it was until Henry VIII seized it and ravaged it like a conquered Irish queen in the 16th Century.

Little things

Pink

The millennium eye approached us on the other side, that little monument we all love and love to say we hate. “Ride on that thing? Never!” Its millennium glow bounced off of the Thames, offering no apologies for its slow creep our direction. We did handstands, climbed radio antennae, pulled ourselves around in monkeyed feats of post-adolescent strength. We lost track of time. We didn’t care. Damn the horror of the night buses, we’ll ride ‘em!

The Furies descent

Eye

The lustful runs across the roof deteriorated eventually into a pink sky, and we knew that the time for morning coffee and a long walk to Elephant and Castle would soon be upon us. Time to go down. And down. And down. The building suddenly became distinctly subterranean.

Nuances of texture

It was wet here. It stunk like old dog, soaked in a summer-time sprinkler and shaking all over the children who uniquely appreciated the horrible musky shower, full of love. The empty corridors offered room for thought and made my stomach tense up, knot and twist, crying foul at the late (early?) hour. One turn revealed a large room with a safe, a thick door with twisty dials and an unsettling echo. We spun the lock, robbing the history from the place.

Sort of safe

The watery passage continued until we could stand it no longer, blistering feet soaking in the liquid filth. We went for the ProEx shot to cap off the night, twisted and intoxicated, drunk on our own success at pissing on every wall in this building. Lighting was essential, we decided, draining camera batteries and making film strips roll back on themselves in our multiple attempts to get it right.

Pr0 Shadows

Suddenly, the sharp slap of metal on tarmac stopped us cold. Voices. A quick retreat. How could it be, this UrbEx fortress infiltrated? The retreat continued into a side room where we sat, a gentle humming behind us. Suddenly, Silent Motion sprung up, hitting the hum with his torch and there is was – a meat grinder, working with no electricity to speak of, begging for fodder. I screamed a little, quickly covering my mouth to stifle the alarm, pride on the floor. The voices were closer now, finally clear enough to make out the distinct sound of someone saying “they’re over here.” I knew that voice.

Ground

We fled down the hallway once more, trying to keep the drips and splashes from reverberating, a considering how long the water ripples that announced our direction of departure would continue their hideous radial momentum. The smells of the place began to change as we moved. It smelled… like burning. When we found out why, it was already too late. The swollen bellied sergeant and the jelly-man sidekick were on either side of us, laughing as we both stared in horror at the door to what looked to be a huge furnace.

Burned

“Welcome to Cavendish Crematorium!” The sergeant yelled, spit streaming from his plump pink lips. “The last stop for nosy UrbExers!” Next to me, Silent Motion sighed, staring into the murky water.





London’s Olympic Waterscape Exhibit

7 06 2010

Last night we put on an exhibit at Royal Holloway, University of London as part of the Creative Campus Initiative linked to the London 2012 Olympics. The exhibit, run by Alison Hess, Ellie Miles, terri moreau, Michael Anton, Amy Cutler and myself was a huge success with far more visitors than we ever could have anticipated! Thank you so much to everyone who came out and to the rest of the team for putting on an amazing show!

The exhibit was broken into 3 parts. In the first, we displayed 10 photographs from Mike Seaborne, a photographer at the Museum of London, depicting the Olympic Waterscapes prior to construction of the stadium site. Opposite these, we displayed a number of photographs from our own journeys (undertaken as a geographic triathlon) up, down and around these waterscapes documenting the changes taking place there.

Finally, we made a 20 minute film about the past, present and future of these olympic waterscapes which I am proud to present for the first time here!

Here are some pictures from the exhibit. All photographs are by Danny Pack.



_________________________

Please also visit the project website





Lust for London

13 02 2010

Let us go then, you and I.
When the evening is spread out against the sky
like a patient etherised upon a table;
Let us go, through certain half-deserted streets…
-T.S. Eliot

Passion

Hanging above bank station from a red crane that pulsates with foggy light warning off incoming aircraft, the metal making slow groaning sounds as the bitterly chill wind nudges the structure into a gentle sway, I look down at the bank of England and hear a cacophony of voices in the city.

But the voices I hear are not of the screaming hordes of city bankers, roping in whithered lovers for an evening of lust soon to be forgotten or morphed into office scandal, they are the voices of the past, explorers who walked these city streets in ours and other ages, who crawled into the dark folds of urban architectures looking for crack, photographs, walls to graph or poetry. I connect with myriad individuals who share my love for plenitude, the inanimate animated.

Dickens was a fellow nighttime crawler, a man wrapped up in a perpetual dream, an explorer of the uncanny who felt “a solemn consideration when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses it’s own secret; that in every beating heart in the hundreds of thousands of breasts there is, in some of its imaginings, a secret the the heart nearest it!”

Heart of hearts

Delving

Our secret is here, looking down on the city we work in, play in; the place where we encounter life in all it monstrous forms. And Dickens stands here with me, laughing at the audacity of this adventure, an approving smirk cracking his extravagant goatee.

I used to think of infiltration as an masochistic incarnation of urban exploration, a pale shadow of experience, disconnected from roots to history or respect for those that walked before us. But up here, staring down at this city that I am courting, the only city that has replaced my perpetual desire to be intimately attached to another human being, the city of blissful isolation where everyone minds their own fucking business, I am in love with the history of this moment and with the workers who are building our future, one brick at a time.

Building our future

In our limited time here on the planet, we can choose to stumble through life, working our job, drinking our beer in front of the blaring television in the darkness of “off-time”, blissfully uncaring. We can remain wrapped in an Indian Ashram, walking circles in the garden, in perpetual meditation for meaning, eschewing the trajectory of the age. Or we can hit back, head on, at the age in which we live, mining it for meaning and finding answers to questions both small and large, wherever those journeys may take us. None of these ways of life are better than another. They are just different, little epitaphs to tombs not yet constructed.

What luck!

The last time I watched The Big Lebowsky, I was stuck anew by the opening narration from the Old Timer:

“…Sometimes there’s a man…who, well, he’s the man for his time and place. He fits right in there.”

One day I may ask for your love London, but for now, thank you for returning my lust. For the first time in my life, I fit right in there.

Always yours,

The Goblinmerchant





London’s Olympic Waterscape

5 02 2010

London/Water (photo by Amy Cutler)

I haven’t been out exploring for some time. My energies as of late have been devoted to writing my thesis, preparing my students for a field class in New York City in March and getting ready to begin filming our Creative Campus Initiative project London’s Olympic Waterscapes. London is set to host the 2012 Olympic games and we have been generously funded to create a June exhibit about what this means for the city’s waterways. Wicked.

Well, I am happy to report that my students are off and running with their project proposals and that we have finally started filming for the Olympics project! It started last Sunday, rather unexpectedly, when William Raban, Director of Thames Film (1986) texted me in response to my inquiry letter and asked me to come along for an interview during the final day of his exhibit in East London. Amy Cutler and I went out and had a fantastic morning chatting with one of the legends of London filmmaking who showed us rushes from his new film and told us about the similarities he sees today with when he made Thames Film, just before Margaret Thatcher tore into the city.

William Raban

William Raban on the 21st floor of Balfour Tower over East London (photo by Amy Cutler)

The fun continued today with an interview at the Olympic site with Rob McCarthy, the Olympic area coordinator for the UK Environment Agency. Rob spoke to me, Terri Moreau and Michael Anton about how he has been working in the area for 30 years and how the Olympics has money pouring into the area causing unprecedented changes to the waterways. Rob was fantastic, fielding the interview in between trains, moving locations multiple times and in the end, driving us around to the Olympic Stadium to get some footage of the construction.

Rob McCarthy teaches us a thing or two (photo by Terri Moreau)

Monday we are scheduled to sit down with Iain Sinclair, one of the literary giants of our age and an unabashed critic of the Olympic development. In the meantime, rest-assured, an exploration is planned for Sunday so you can see more pictures of decaying, decrepit and disused dreadfulness. In the meantime, imagine this as a ruin in 2013:

2013





Pro Hobo 2.0: Temporary Autonomous Zones of Urban Exploration

20 01 2010

“I am both caveman & starfaring mutant, con-man & free prince”

-Hakim Bey

Raptured by the Devil

If you are reading this, it is likely you are doing so for one of three reasons. One is that you know me and feel obligated, which we will ignore for now. Two is that you are using this text as an inspiration to act. Kudos to you. Three is that you are scared, scared of breaking your chains, of shattering the illusions set before you and you are using my reflections on experience as escapism, living vicariously through my surrealist decadence. If this third category applies to you, then this posting, this call to action, is just what you’re looking for.

Wild Children

Hakim Bey’s T.A.Z.: The temporary autonomous zone, ontological anarchy, poetic terrorism initially sounds like a purely philosophical proposition, but the TAZ is actually suggested by Bey to only take form in “geographical odorous tactile tasty physical space” (Bey 1985, pp. xi) I wish to elaborate here on some of Bey’s ideas and relate them to what I see as one of the hidden political and philosophical potentials of urban exploration, lurking around in the shadows like a dirty pirate coming to rape your mind. Bey’s description of the place of action, the place of meaningful existence that resides in between analysis and experience jives really well with my current reality. The cracks between physical encounter and intellectual stimulation comprise Bey’s “surrealist archaeology” (xii) and I, indeed, am now a practicing surrealist archaeologist.

Surrealist Archaeologist

My life over the last year, and especially my time during our last pro hobo road trip to Europe, has definitively taught me one thing: spatial barriers are an illusion, far more psychological than physical. They can all be overcome, excavated, sapped and exploded. The remaining fiery remnants are similar to little chocolate candies, a delight for children and pregnant Venus figurines. Pro hobo teaches us what Bush already knew, authority is an illusion, threats of imminent terrorism and spiritual destruction are an illusion, fear is an illusion, society is an illusion. My experience has taught me that I am the only master of my destiny and I decide what happens next.

Pro hobo in the margins

Sartre, who is rumoured to have written an average of 20 pages a day over the course of his life, has scribbled extensively on freedom. And this freedom, I claim, is what Bey wants us all to exert. I say exert rather than find because the only searching you need to do to find it is within yourself. Locate it in a derelict building in Belgium, find it in an abandoned soviet military base in Russia, find it tearing down a statue of Saddam Hussein, find it while cornering police and taking their weapons, find it in a newborn’s sparkling eyes, find it with your lover in a bathtub surrounded by candles, find it in Grandma’s attic, find it at scummy drum & bass warehouse parties, find it by making things out of felt. But for fucks sake, find it in experience. Get out of that pub, get away from this computer, turn off that goddamn television and then go do something stupid, pointless, reckless and beautiful. And don’t apologize for it. Refuse to explain yourself, refuse to give anyone your “details” when they ask why you are doing it.

We need to find the cross sections between analysis and experience yes, but that is for you to do, no one will do it for you. Mindless action is stupid, but so is mindless acceptance of explanation. Siddhartha walks the middle path.

Meaning container

Well, that's over

Bey lays it out for you my friends. “What happened was this: they lied to you, sold you ideas of good & evil, gave you distrust of your body… mesmerized you with inattention, bored you with civilization & all its usurious emotion” (3). Then, they used your placated boredom, your distrust, your fear and your ideas of good and evil to create a world in which they could contain you. They told you that it was possible only to live within their structure. Well, fuck them. If we live in democratic societies than we are the structure. If we were in danger of terrorism, I would have been caught when I started scaling buildings in the City of London or when I climbed into the drain system under Los Angeles.

On your city

In your city

I hardly think I am more intelligent than some well-trained terrorist operative with a will to die. And if that is indeed the case, only one solution remains, given the places I have been able to infiltrate. We are not attacked because the threat is overmagnified or, at worst, nonexistent.

I won’t let this turn into a political rant. To be honest I could care less what kind of bullshit our leaders are feeding us. What I care about is you and me, the people on the ground. Hey… WAKE UP! We are alive! We cannot be stopped from doing anything. If you choose to be stopped, it is not the governments fault, or your friends. It is not because you have no money or because your girlfriend cheated on you when you were 20. It is because you are a twat and you are buying into a narrative constructed by people who want to control you. It may be your state, your parents, or your church, the important thing is for you to recognize that they can only hold you down because you let them. Look to Iran for inspiration. “Smash the symbols of Empire in the name of nothing but the heart’s longing for grace” (12-13).

Grace

I suggest urban exploration as a method of subversion; a state of “delirious & obsessive play” (9) that you knew when you were young. I suggest regression and even retardation of our boundary knowledge as “our feral angels demand that we trespass, for they only manifest themselves on forbidden grounds” (22). Remember how it felt when you were young and all signs and people telling you what to do were merely suggestions? They still are. Embrace your inner child again, cultivate “antics that are sharp enough to slice moonlight” (8). You don’t need drugs or alcohol to experience unfettered joy, to launch yourself raving into the stars. Roll around in them and get burned, scream with joy when the beauty melts your eyelids to your face! You only need your body, your imagination and the willpower to seize those experiences which are available to you, regardless of what you are told is or is not possible.

Suggestion

Problem

Solution

This will to power may find you in danger, hanging from scaffolding on a building or, at worst, dead like our friends Downfallen or Ninjalicious. But that last moment will be found in bliss, because you finished your story on your own terms, with style, kicking in the door and stabbing innocents like Sir Lancelot of Monty Python in your own “particular idiom”.

_____________________________

The fact that I call urban exploration place hacking is significant on multiple levels. Firstly I imply, of course, that we can hack physical space just as computer hackers hack virtual space. But hacking also implies mobility and using mobility to define places is tricky business. We stop in places long enough to eat or take pictures. When going pro hobo, we dwell longer, staying to sleep, BBQ in wheelbarrows or play games. In these instances, our proficiency as place hackers becomes even more transparent as we reconfigure the physical space of encounter, leaving behind archaeological, tangible, physical remnants of our time there, little monuments to the fuck all. But we are always passing through. Turning to Bey again, he suggests that “the TAZ is an encampment of guerrilla ontologists”, they “strike and run away” (100). We are on it Bey, and we are running like hell.

Zerowork

Tangible

The pro hobo tour is a sacred pilgrimage, an experience that Westerners rarely find outside of the cliché roadtrip. It is a massive dérive, a journey to the far horizons of possibility, “a spiritual exercise which combines the urban & nomadic energies…into a single trajectory” (81). As we push the journey further from London, further from our homeland, our comfort food and our safe zone, as we run out of money and continually get drunker on Chimey and experience, the sheer duration “inculcates [us with] a propensity to experience the marvellous; not always in its beneficial form perhaps, but hopefully always productive of insight – whether thru architecture, the erotic, adventure, drink & drugs, danger, inspiration, whatever – into the intensity of unmediated perception and experience” (81).

Sacred Pilgrimage

Inspiration

I now recognize that these mobile transgressions are the heart of what makes urban exploration effective as a mode of spatial resistance. To stay in one place is to create a target for the state, to invite martyrdom at the expense of losing reality hackers. Look to examples of cults, hippie encampments, squatters villages. They are all too easily scoped in, laser painted targets. As Sun Tzu might advise, moving targets are difficult to hit. Keep them guessing where we will go next, where we will post next, who will be there, what will happen. Catch us if you can.

This is not just physical mobility but ontological mobility. Even though subscribers to the urban explorer code of ethics seek to leave behind no traces of our passing, they are inevitable. A dropped glove, a forgotten film canister, a helmet fallen in a well. Even if we do move without a trace, the records taken away will change perception of the space, will encourage more TAZ creations, UrbEx infiltrations and spatial disturbances. Every photograph is a call to action.

Do something about it

This action, let me now assure you, is no revolution. The point of place hacking (and this is where Bey and I may disagree) is not anarchy or revolution. The point, my friends, is insurrection to disrupt order for the distinct purposes of expressing our rights to freedom, our rights to the city and to instil fear in the suits writing policy documents in cubicles, taking frequent coffee breaks to dream about what freedom feels like out there in tasty space. Show them what it looks like, better yet, show them what it feels like. They will love you for it, even as they avert their eyes from your soiled clothing on the tube.

This post is not a call to tear down the government, that would be stupid. As Nietzsche has pointed out, the truly free spirited will not agitate for the rules to be dropped or even reformed, since it is only by breaking the rules that we realize our power. Anarchism exists in the world and those places are shitholes. What we want is to gently remind those who would question us that this is our world, these are our societies. We allow those suits to run them, and that is democracy.

Dare me to press it? Double dog dare me?

Now…

Go go something stupid and reckless; go create your own TAZ. And remember that “the architecture of suffocation and paralysis will be blown up only by our total celebration of everything” (42).

We win.





The Londinium Crew

17 01 2010

Our first big meetup of 2010, starting off the year right! The day began early and ended late, with people joining the expedition as we moved from place to place. The explore concluded in the The Cittie of Yorke pub, smiles all around. Love this crew.

Photobucket





Unstoppable

13 01 2010


A few weeks ago, our mate Downfallen checked out base jumping in the Swiss mountains. His exploits were legendary, he climbed every high building in London and beyond. He had a superhuman capacity for adventure. One of his last feats was to launch himself off of the Burj Dubai, the tallest building in the world, setting a world record and getting arrested upon landing.

I have been dwelling on Darren’s death for days now, thinking about what makes a life worth living. As Gangstarr once sung, we do what we do for death or for glory, few of us achieve both in the same moment. Darren’s legendary status will never be lived up to but it is something to strive for. We have the ability within in all of us to achieve the unexpected, the unimaginable, we have the power within ourselves to do what we are told we cannot. I believe this is the heart of Urban Exploration.

I salute Downfallen for a life of achievement, for his humbleness in success, for his passion of experience. We can all only hope to die as he did, at his peak, in his element, unstoppable.

Peace out Darren, I did not get a chance to meet you but the Goblinmerchant bows to you.





Au Revoire to Marc: The Dragon of Clapham

7 11 2009

So we’ll go no more a-roving
So late into the night,
Though the heart still be as loving,
And the moon still be as bright.

For the sword outwears its sheath,
And the soul outwears the breast,
And the heart must pause to breathe,
And love itself have rest.

Though the night was made for loving,
And the day returns too soon,
Yet we’ll go no more a-roving
By the light of the moon.

—   Lord Byron

DSC_4238

Innocent Stroll?

By the light of the moon, Marc and Hydra walked through the common, stopping every once and a while to blow something up. It was a quiet wintry night, a night for explorations of the soul before landscape, a post-phenomenological spectacle of Autumn ritual thought adornment. And then, the unthinkable happened. One explosion, set off by the Marc in a hysterical frenzy over his departure from the land of the mystics, shook the ground with a terrible rumble.

The grass of the common began separating, the earth seizing and shaking like a new born baby addicted to crack; trees capsized into an emerging crevice that revealed a hidden underground storage facility, untouched for 42.75 years, filled with the records of the lost souls dragged down to Dante’s 7th circle of hell.

Unexpected

An exposed vein

Where does this go?

Something new

Boxed memories?

Records of the Lotus War (Photo by LutEx)

A decision was made to explore this emerging subterranean wonder. Hydra, designated lead explorer on this spontaneously scurrilous expedition, entered the metal-lined den with trepidation; there was evidence of habitation, or at least adaptive reuse. The mole people had been here, burrowing into the earth, connecting the tunnel with another inhabited by a perpetually sleeping dragon that shook the tunnel with his deep exhalations.

The mole people were encountered soon after, mining away at the sidewalls of the tunnel, inviting collapse, but also inquiry, undertaken carefully by Marc who spoke conversational Molish. LutEx, master and commander of the underground, resided there with his Queen it seemed. They join the expedition for the promise of chocolate éclairs. Earlier that night, he tells Marc later, he mined a Jewel, and Diamond from the depths. The Diamond, as she then became known, joined the expedition on the promise of existential freedom.

As they move through the tunnels, LutEx explains that there was indeed a sleeping Dragon at the end of the tunnel, and that the mole people has constructed a wall between them and the beast to keep it’s steaming slumbering sighs from singing their eyebrows. It turned out they were not trying to dig to the Dragon, but to avoid it while working their way through the 7th circle. As Hydra commented on the quality of the construction, suddenly, running steps are heard.

Hazard?

Experiential barrier

The Goblinmerchant, vendor of the mystical, last seen at the Pyestock Stargate, emerges from the depths at breakneck speed, smashing through the wall in a brave but foolish attempt to challenge the Dragon. Little did he know, the Dragon had a guard. The Goblimerchant is caught in a time-space compression web, cast by a magical troll hidden in a subterranean enclave, forcing him back into the 7th circle, restoring the barrier the mole people had constructed, a barrier, which, it seems, the Dragon allowed to exist.

For his transgressions, the group sees the Goblinmerchant subjected to endless torture, first by having his hair pulled from the follicles by a diabolical goblin-engineered torture machine, and then tied by his feet and hung from the roof of the bunker, on show until the end of time for other daring explorers, an example of the dangers of crossing the Great Dragon of Clapham.

Caught

Torture and Punish

Born and died

Sisyphustic dilemma

With the expedition now complete, with lessons learned, The Diamond is indeed given her freedom, teleported back to the surface by a goblin transporter restored by the mole people to beam in food supplies and port.

And beaming

Beamed

As for Hydra and Marc… Last was heard they had joined LutEx and his Queen in the underworld, digging into the 8th circle of hell.





Real Life Role Playing Game (RLRPG)

19 10 2009
Is this a game?

Is this a game?

Anthropologists have recently been writing about World of Warcraft, Second Life and other Massively Multiplayer Role Playing Games (MMORPGs). Since many of these games have millions of players, with their own economies, cultures etc., it has been suggested that people within virtual worlds have developed their own culture. As an avid World of Warcraft player, I heartily agree. But I also love playing games in real life, and, in a sense, this is what UrbEx is all about.

Yesterday Marc took me to a site which felt very much life a game, a surreal landscape of industrial waste, technological failure and a ninja Ghurka security guard. We explored it, very carefully, and all went well, but when I got home, I re-dreamed the explore, making it the game I knew it was.

I call the result a Real Life Role Playing Game or RLRPG.

In a small forest, in a quiet neighborhood, there are trails snaking their way through the tress. Different paths straddle the border between the forest and fields, inhabited by Mums with prams on this lazy Sunday, and by pairs of flatmates and friends, jogging, trying to sweat out remnants of last night’s snakebite extravaganza with girls in too-short-skirts. On one of these trails, in a black hooded cloak, walks Marc of the Cata Clan, Lvl 80 Elite Explorer, back again to conquer Pyestock for bonus explorer points before returning to his subterranean home in the Paris Catacombs.

Marc moves to the perimeter of his target, taking note of the Ghurka guard walking along side him, without looking in his direction, noticing that the Ghurka is following his movements. And eyes. He has been spotted. Marc breaks into a run, trees passing by like cars on a busy highway. With a quick glance to the side, he notices the guard is keeping pace. An elite guard. Merde.

Rookinella was right to be scared and stay home today, this guard cannot be defeated with felt or plastic pirate swords. With two glancing kicks off of the leaf cover, Marc is running up a willow tree, rebounding over the 4 meter triple barbed wire fence, his cloak hood flapping in the wind, distracting the Ghurka just long enough to pull the small blade from his leg holster. The Ghurka is cut down before he can get to his weapon, his mouth held from behind to muffle the screams of agony as he bleeds out.

Moving in

Moving in

Marc shoulders the guard (got he’s heavy for such a little man!) and sneaks stealthily into the entry point, the Stargate chapel, where his next surprise awaits. He stuffs the guard under the mesh catwalk and walks over to a large circular disk on one end of the room. With a deep breath, he grabs the edge of the Stargate and pulls it open to unleash the Goblinmerchant, a daemon; a vendor of all things fantastic and mystical.


But what’s this? The Goblinmerchant smells humans. Turning his comrade, he can see that Marc has heard them long before now. A group of 4, fumbling their way through. No wonder, with security gone now. The perimeter is being breached. If they make their way to the Stargate, all hell could break loose.

They run off, low to the ground, weighted down by field equipment and supplies pulled from the Stargate, supplied for documentation of the Cata Clan invasion. Through the dangling Cat 5 cables, past the air tunnel control room, up the rusty ladder. Four fellow explorers lie in ambush and a battle almost ensues until we realize they also hold a key to the Stargate.

The documentation begins, one room after another, small items and large machines from humanities forgotten industrial past, a legacy of materiality replaced by computer models and office jobs in Slough.

Controlling the minds of workers?

Controlling the minds of workers?

An exploded reactor, lucky we were there to prevent radiation leakage!

An exploded reactor, lucky we were there to prevent radiation leakage!

Mail delivery system

Mail delivery system

Heard the seashore in these

Heard the seashore in these

Tunnels or cables? Was I in those?

Tunnels or cables? Was I in those?

Flying over the site with a temporary upgrade

Flying over the site with a temporary upgrade

Don't look down

Don't look down

Dirty row, collected for XP

Dirty row, collected for XP

Goblinmerchant calls control to tell them the mission has been accomplished. He is awarded 3 mana potions and 5000XP points.

Phone home

Phone home

Documentation complete, Marc enters the energy capacitor, a small proton particle subfield generator, and Goblinmerchant flips the switch, firing him back to Subterranean Paris.

Impossible

Unstoppable